I first read something by Muriel Spark in my late twenties and instantly loved her writing; I had that feeling that there was something new and great in the world that grows rarer the further you are from childhood, and that I hadn’t experienced for a long time. It wasn’t just how much I liked what she did, but how different it was, how individual. Continue reading
When books have all seized up like the books in graveyards
And reading and even speaking have been replaced
By other, less difficult, media, we wonder if you
Will find in flowers and fruit the same colour and taste
They held for us for whom they were framed in words,
And will your grass be green, your sky be blue,
Or will your birds be always wingless birds?
Louis MacNeice (1907–1963), To Posterity (collected in Visitations, 1957)
Have a look at photographer Babycakes Romero’s smartphone-themed collection, The Death of Conversation.
This week’s Apprentice opened with the candidates being summoned to Dr Johnson’s house to look at the memorial to his cat, Hodge, outside. This was the set-up for Lord Sugar to give them a pet-bothering task: “People will stop at nothing to pamper their pets, and the pet market is worth a massive 4.6 billion pounds per year. Now I want you to get a piece of that action…” Continue reading
Gorsky by Vesna Goldsworthy. My review for Shiny New Books.
Gorsky is an enigmatic, much-gossiped-about billionaire who is rarely seen at his own famously gorgeous parties; there is a suggestion of some enormous unresolved romance in his life; his public character has something staged, unusually deliberate, theatrical about it—you could say that his personality is “an unbroken series of successful gestures”, if you wanted to quote from The Great Gatsby. And you probably do want to quote from The Great Gatsby; I did from the blurb onwards.
There was something so obvious in his slightly taciturn appearance that, almost from day one, I called him the ‘The Great Gorsky’…
Glass by Alex Christofi. My review for Shiny New Books.
Alex Christofi’s debut novel is a mildly eccentric, likeable and interesting not-quite romp.
I have come to wonder whether I will make it through my twenty-third year. In the nine months since my mother died, I started a new job, which led me to meet a number of new people, one of whom I killed in a misunderstanding. But other things happened in the first twenty-two years that I should explain first.
Well, allow me to introduce myself to you as an advocate of Ornamental Knowledge. You like the mind to be a neat machine, equipped to work efficiently, if narrowly, and with no extra bits or useless parts. I like the mind to be a dustbin of scraps of brilliant fabric, odd gems, worthless but fascinating curiosities, tinsel, quaint bits of carving, and a reasonable amount of healthy dirt. Shake the machine and it goes out of order; shake the dustbin and it adjusts itself beautifully to its new position.
Robertson Davies 1951 Tempest-Tost (part one of the Salterton Trilogy)
Dame Janet Suzman recently made some cock-eyed remarks about theatre being a ‘white invention’, it coming from the (ancient) Greeks via Shakespeare, provoking a lot of fury, angst and uncertain history. I’m not going to add to the rage, but I will say something about the Greek side of the question. Continue reading
The Mirror of the Sea, Joseph Conrad’s book about people, ships and the sea, is full of good things, even if you’re only really interested in people. Here he discusses handling ships and dealing with people—this passage is what I used to think about when being trained in communication, assertiveness, management techniques and the like on work courses. Nothing in the HR-approved training material ever came close. Continue reading