Brexit: the movie

Rashômon poster. Credit: Akira Kurosawa/Daiei (1950).
Rashômon poster. Credit: Akira Kurosawa/Daiei (1950).

The Spectator’s affably pro-Remain business correspondent, Martin Vander Weyer, invited readers to answer the party-game question ‘If Brexit was a film…?’ Naturally most replies have been satirically pro-Leave, readers being what they are, and Vander Weyer asked for more Remainers to have a go, but then I got to thinking… Continue reading

Goodbye to all that. Leaving Bristol

bristol-exitI like Bristol plenty, enough to live here for nearly fifteen years, but I’m not sure I like it in the way I’m supposed to. A typical Bristol enthusiast will tell you that it’s a vibrant, diverse, happening place, like a laid-back outpost of trendy London in the provinces, or a West Country Brighton. A friend overheard a Bristol University student say, ‘Bristol is like a sort of second-home London.’ Well, yah. Continue reading

In which I went on a wine tour

Our table at Avignonesi in Montepulciano.
Our table at Avignonesi in Montepulciano. Click to read the piece on Alderman Lushington.

Today in Bristol it’s raining heavily, it’s cool but not cold enough to be satisfying, the leaves are rotting on the pavement, and I’m thinking about drinking good wine with old friends on a hot summer’s day.

Click here to read the not-very-serious spread I published in Alderman Lushington on going on a wine tour in Tuscany.

The wingless birds of less difficult media

When books have all seized up like the books in graveyards
And reading and even speaking have been replaced
By other, less difficult, media, we wonder if you
Will find in flowers and fruit the same colour and taste
They held for us for whom they were framed in words,
And will your grass be green, your sky be blue,
Or will your birds be always wingless birds?

Louis MacNeice (1907–1963), To Posterity (collected in Visitations, 1957)

Have a look at photographer Babycakes Romero’s smartphone-themed collection, The Death of Conversation.