My last piece on TV Licensing caught fire and is now the most read thing on my website. A few things came up in the responses on social media and elsewhere that I wanted to mention1. Continue reading
The licensing man cometh: addendum
television
The licensing man cometh
My first thought was, he lied in every word…1
As the television licence is in the news again, now might be a good time to describe my strange and illuminating experiences with TV Licensing. Continue reading
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Twin Peaks: The Return | Empire
Dread words from the advertising lexicon
My dislike of the word ‘pamper’ suddenly caught fire recently. Walking through an English seaside town, I saw sign after sign advertising ‘pamper packages’ of some sort. There was competition to see who could offer the most ludicrously overblown one; fourteen hours of pampering and spa treatments by candlelight as you’re fed Turkish Delight by captive apes wearing golden chains, each trained to whisper because you’re worth it and smile sympathetically, their grave simian eyes showing that they understand and value you—they don’t judge. Continue reading
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Sore shoulders in the boardroom: The Apprentice
For some reason everyone in The Apprentice refers to what’s happening as ‘the process’. I like it because it’s so pompous, while the process itself is hard to define. Just what are they doing? Continue reading
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Laura Palmer is dead, long live Laura Palmer
I watched the first series of Twin Peaks as a raw undergraduate at Manchester University, only a few months out of school. It was the only television I would actively stay in to watch, and it was the same for my Norwegian flatmate, who would sit fixedly for the 50 minutes in a state of quasi-religious ecstasy, reacting violently to any interruption. The what-happens-next excitement may no longer be there, but I love it no less nearly 25 years later, and I know I’m not alone. Continue reading
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The terrible boredom of existential threats to the universe
Some of the best BBC dramas can be the most irritating. By the best I mean those they’re most pleased with, whose cushions they are forever plumping, whose production values are the most ambitious. Take, say, the increasingly indistinguishable Sherlock and Dr Who, for which the structure, pacing, editing, characterization, mannerisms, tics and assumptions have become hauntingly similar. Continue reading
